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Huma Bhabha

Artists: Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanondchai, Carlotta Bailly-Borg, Darja Bajagić, Olga Balema, Khairani Barokka, Nina Beier, Huma Bhabha, Hannah Black, Dora Budor, Harry Burke, Egle Budvytytė, Ben Burgis & Ksenia Pedan, CAConrad, Miriam Cahn, Jayne Cortez, Adam Christensen, Anaïs Duplan, Jesse Darling, Michael Dean, Melvin Edwards, Merike Estna, Gaia Fugazza, Penny Goring, Daiga Grantiņa, Caspar Heinemann, Max Hooper Schneider, Anna Hulačová, Pierre Huyghe, Derek Jarman, Sandra Jõgeva, Last Yearz Interesting Negro/Jamila Johnson-Small, Vytautas Jurevičius, E’wao Kagoshima, Sanya Kantarovsky, Agnese Krivade, Ella Kruglyanskaya, Žygimantas Kudirka, Tarek Lakhrissi, Lina Lapelytė, Kris Lemsalu, Klara Lidén, Elīna Lutce, Paul Maheke, Benoît Maire, marikiscrycrycry, Pierre Molinier, Maria Minerva, Moor Mother, Katja Novitskova, Precious Okoyomon, Pakui Hardware, planningtorock, Anu Põder, Laure Prouvost, Ieva Rojūtė, Rachel Rose, Augustas Serapinas, Michael E. Smith, Ülo Sooster, Christopher Soto, Achraf Touloub, Mare Tralla, Ola Vasiljeva, Kārlis Vērdiņš, Liv Wynter, Young Boy Dancing Group (YBDG), Young Girl Reading Group (Dorota Gawęda and Eglė Kulbokaitė)

Venue: CAC Vilnius

Exhibition Title: The Baltic Triennial: GIVE UP THE GHOST

Date: May 11 – August 12, 2018

Click here to view slideshow

Architecture by, Diogo Passarinho ,Works by: Nina Beier, Melvin Edwards, and Katja Novitskova

Benoît Maire

Anna Hulačová

Full gallery of images, press release and links available after the jump.

Images:

Laure Prouvost
Laure Prouvost
Laure Prouvost
Laure Prouvost
Laure Prouvost
Laura Prouvost
Laure Prouvost
Laure Prouvost
Laure Prouvost
Laure Prouvost
Dora Budor
Dora Budor
Architecture by: Diogo Passarinho, Works by: Augustas Serapinas and Darja Bajagić
Architecture by: Diogo Passarinho, Works by: Augustas Serapinas and Darja Bajagić
Melvin Edwards
Melvin Edwards
Melvin Edwards
Melvin Edwards
Architecture by: Diogo Passarinho, Works by: Augustas Serapinas and Darja Bajagić
Miriam Cahn
Miriam Cahn
Miriam Cahn
Darja Bajagić
Darja Bajagić
Architecture by, Diogo Passarinho, Left: Olga Balema, Right: Caroline Achaintre
Architecture by, Diogo Passarinho,Works by:  Darja Bajagić, Augustas Serapinas, Melvin Edwards
Darja Bajagić
Architecture by, Diogo Passarinho
Melvin Edwards
Architecture by, Diogo Passarinho,Works by:  Darja Bajagić, Augustas Serapinas, Melvin Edwards
Caroline Achaintre
Caroline Achaintre
Caroline Achaintre
Caroline Achaintre
Pierre Huyghe
Pierre Huyghe
Melvin Edwards
Melvin Edwards
Melvin Edwards
Architecture by, Diogo Passarinho ,Works by: Nina Beier, Melvin Edwards, and Katja Novitskova
Architecture by, Diogo Passarinho, Works by: Nina Beier, Melvin Edwards, and Katja Novitskova
Architecture by, Diogo Passarinho works by Nina Beier, Melvin Edwards, Katja Novitskova, and Caroline Achaintre
Katja Novitskova
Architecture by, Diogo Passarinho, Works by: Daiga Grantina
Architecture by, Diogo Passarinho, Works by: Nina Beier and Anu Põder
Architecture by, Diogo Passarinho, Works by:  Works by:  Nina Beier, Melvin Edwards, Caroline Aichaintre, and Katja Novitskova
Architecture by, Diogo Passarinho, Works by: Daiga Grantina and Evgeny Antufiev
Melvin Edwards
Katja Novitskova
E'wao Kagoshima
Wall: E'wao Kagoshima, Floor: Carolina Achaintre
E'wao Kagoshima
Max Hooper Schneider
Max Hooper Schneider
Max Hooper Schneider
Nina Beier
Nina Beier
Nina Beier
Katja Novitskova
Katja Novitskova
Katja Novitskova
Katja Novitskova
Anu Põder
Anu Põder
Anu Põder
Anu Põder
Architecture by, Diogo Passarinho,Floor Center:  Anu Põder, Floor Right:Nina Beier
Daiga Grantina
Rachel Rose
Rachel Rose
Rachel Rose
Olga Balema
Anu Põder
Architecture by, Diogo Passarinho,Floor:  Anu Põder, Nina Beier
Olga Balema
Architecture by, Diogo Passarinho,Floor:  Anu Põder, Nina Beier
Architecture by, Diogo Passarinho,Floor:  Anu Põder, Nina Beier
Daiga Grantina
Daiga Grantina
Daiga Grantina
Daiga Grantina
Evgeny Antufiev
Evgeny Antufiev
Evgeny Antufiev
Evgeny Antufiev
Evgeny Antufiev
Evgeny Antufiev
E'wao Kagoshima
Architecture by, Diogo Passarinho, Works by: Evgeny Antufiev
Architecture by, Diogo Passarinho, Works by: Daiga Grantina, E'wao Kagoshima
The Baltic Triennial at CAC Vilnius
Architecture by, Diogo Passarinho, Works by: Evgeny Antufiev
Architecture by, Diogo Passarinho, Works by: Evgeny Antufiev
Anna Hulačová
Anna Hulačová
Anna Hulačová
Anna Hulačová
Anna Hulačová
Anna Hulačová
Anna Hulačová
Anna Hulačová
Ella Kruglyanskaya
Ella Kruglyanskaya
Korakrit Arunanondchai
Pukai Hardware
Pukai Hardware
Ieva Rojūtė
Pukai Hardware
Pukai Hardware
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware
Pukai Hardware
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Ieva Rojūtė
Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware
Pukai Hardware
Pukai Hardware and Ieva Rojūtė
Pukai Hardware and Ieva Rojūtė
Pukai Hardware
Pukai Hardware
Ieva Rojūtė
Pukai Hardware
Pukai Hardware
Caroline Achaintre
Huma Bhabha
Caroline Achaintre
Caroline Achaintre
Caroline Achaintre
Huma Bhabha
Caroline Achaintre
Sanya Kantarovsky
Sanya Kantarovsky
Sanya Kantarovsky
Diogo Passarinho
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Benoît Maire
Dora Budor
Dora Budor
Dora Budor
Dora Budor
Dora Budor
Dora Budor
Michael E. Smith
Michael E. Smith and Benoît Maire
Michael E. Smith and Benoît Maire
Michael E. Smith
Michael E. Smith
Michael E. Smith
Michael E. Smith
Benoît Maire
Jayne Cortez
Jayne Cortez
Jayne Cortez
Jayne Cortez
Diogo Passarinho
Diogo Passarinho
Diogo Passarinho

Images courtesy of CAC Vilnius. Photos by Andrej Vasilenko.

Press Release:

For the first time in its history, the Baltic Triennial 13, titled GIVE UP THE GHOST, is organised by all three Baltic States: Lithuania, Estonia and Latvia. Spread across these multiple locations and evolving sequentially, BT13 makes a conscious decision to give up its unity in order to make space and time for the polyphonic to rise.

The three exhibitions that form the core of the Triennial are all different in format, content and context. However, each of the chapters is informed by a shared concern: what does it mean to belong at a time of fractured identities? BT13 – GIVE UP THE GHOST will unfold through and with this very question, careful not to offer a single or illustrative response. Instead, it opts for a collective vision of what is at stake: independence and dependency—and everything that lies in between—to territories, cultures, classes, histories, bodies and forms.

The fluctuating notion of belonging, which can be understood to exist within the conceptual and formal framework of a relationship, allows us to think beyond identity as something fixed, self-contained and essentialised. It enables BT13 – GIVE UP THE GHOST to push further a trio of concepts which underpin the whole of the Triennial—formless subjectivity, bastard objects and anti-categories—freeing it to act as the intertwined lines of a fluid score rather than the headlines of an activist manifesto. Together, they privilege forms of infiltration, displacement and hybridization, and operate as a lens through which to consider the unstable ground on which we stand.

The Triennial’s three chapters will adopt different perspectives and strategies to better accentuate the many intricacies tied to the ever-shifting understanding of belonging. In Vilnius, the largest venue of the Triennial, the exhibition will be filled with yet-to-be-named organisms and dystopian landscapes which will question the concepts of territories and social bodies. The Tallinn chapter, in its turn, will center on sensuality and intimacy as parameters to take into account when reflecting on belonging. Taking the form of an epilogue, the Riga exhibition will set an otherworldly backdrop for a series of performances and events to take place, privileging gestures of generosity and humility in equal measure. All three iterations of the Triennial will be both celebratory and self-reflexive, leaving space and time for new questions to arise.

Links: The Baltic Triennial at CAC Vilnius

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