Artist: Lonnie Holley
Venue: Atlanta Contemporary
Exhibition Title: I Snuck Off the Slave Ship
Date: January 12 – April 2, 2017
Full gallery of images, press release and link available after the jump.
Images courtesy of Atlanta Contemporary; Amber Bernard; Fredrik Brauer; and Halsey Institute of Contemporary Art, Charleston
Atlanta Contemporary Art Center (Atlanta Contemporary) is pleased to announce a solo exhibition with Lonnie Holley. Holley is a man of many myths and talents. Born in Jim Crow-era Birmingham, Alabama, as the seventh of 27 children, Holley traveled across the South and held a wide array of jobs before making his first artwork at the age of 29.
Well known for his assemblages, Holley incorporates natural and man-made objects into totemic sculptures. Materials such as steel scrap, sandstone, plastic flowers, crosses, and defunct machines commemorate places, people, and events. The exhibition will feature a selection of sculptures and drawings on loan from the artist. In addition to these works, Holley will create site specific installations reflective of the spontaneous and improvisational nature of his creative process.
Curator Daniel Fuller says “Lonnie Holley is one of the most influential artists and musicians of the 20th/21st centuries. His powerful work is improvisational and free in that it goes beyond the autobiographical and chronicles daily life and history of people all over the South. It is as much concerned with all of mother earth as it is cosmic.”
Holley was included in the seminal exhibition More than Land and Sky: Art From Appalachia at the National Museum of American Art in 1981. In 2013 The Whitney Museum, NY, hosted Holley’s debut New York performance concurrent to the museum’s Blues for Smoke exhibition. His work is included in museum collections, including; Smithsonian American Museum of Art, Washington, DC; Philadelphia Museum of Art, Philadelphia, PA; New Orleans Museum of Art, New Orleans, LA; New Jersey State Museum, Trenton, NJ; Museum of Fine Arts, Houston, TX; Milwaukee Museum of Art, Milwaukee, WI; Michael C. Carlos Museum, Emory University, Atlanta, GA; High Museum of Art, Atlanta, GA; Birmingham Museum of Art, Birmingham, AL; and the American Folk Art Museum, New York, NY. Holley has also gained recognition for his music, and he has collaborated with the indie-rock bands Dirty Projectors and Animal Collective. In 2010, he recorded his debut album, Just Before Music, which came out in 2012. In 2013, his follow-up record, Keeping a Record of It, was released under the Atlanta-based Dust to Digital label.
Holley is a man of many myths and talents. Born in Jim Crow-era Birmingham, Alabama, as the seventh of 27 children, Holley traveled across the South and held a wide array of jobs (grave digger, cotton picker, and short-order cook at Disney World) before making his first artwork at the age of 29. Self taught, he started carving sculptures from sandstone and then settled on his preferred material: found objects. Holley has made totemic sculptures from items such as steel scrap, plastic flowers, melted televisions, defunct machines, and crosses.
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